Publications: Grehan, Helena

Journal Article

Grehan, H.ORCID: 0000-0002-9257-5615 (2018) First nations politics in a climate of refusal. Performance Research, 23 (3). pp. 7-12.

Grehan, H.ORCID: 0000-0002-9257-5615 (2018) On Refuge. Performance Research, 23 (4-5). pp. 447-448.

Grehan, H.ORCID: 0000-0002-9257-5615 (2017) Book review: Emma Cox. Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. London: Anthem Press, 2015. Pp. 194. $115.00 (Hb), $40.00 (Pb). Modern Drama, 60 (3). pp. 389-391.

Dunstone, B. and Grehan, H.ORCID: 0000-0002-9257-5615 (2017) 'Chaos' and 'Convergence' on the Western Australian goldfields: The politics of performance in the 1890s. Australasian Drama Studies (70). pp. 35-56.

Grehan, H.ORCID: 0000-0002-9257-5615 (2015) Actors, spectators, and "Vibrant" objects Kris Verdonck's ACTOR #1. TDR: The Drama Review, 59 (3). pp. 132-139.

Grehan, H.ORCID: 0000-0002-9257-5615 (2015) Electronic Journals. Contemporary Theatre Review, 25 (1). pp. 130-133.

Grehan, H.ORCID: 0000-0002-9257-5615 (2014) Book Review of: Theatre and performance in the Asia-Pacific: Regional modernities in the global era, by Denise Varney, Peter Eckersall, Chris Hudson and Barbara Hatley, (basingstoke: palgrave MacMillan, 2013). Australasian Drama Studies (64). pp. 321-325.

Eckersall, P. and Grehan, H.ORCID: 0000-0002-9257-5615 (2014) On Rapture. Performance Research, 19 (6). pp. 1-4.

Grehan, H.ORCID: 0000-0002-9257-5615 (2014) Performance review: SUPER DISCOUNT. By Back to Back Theatre and David Woods. Directed by Bruce Gladwin. Malthouse Theatre, Melbourne. 16 November 2013. Theatre Journal, 66 (3). pp. 437-439.

Grehan, H.ORCID: 0000-0002-9257-5615 (2014) An unresolvable dramaturgy. Performance Research, 19 (6). pp. 15-21.

Dunstone, B. and Grehan, H.ORCID: 0000-0002-9257-5615 (2013) Making maps ‘Speak’: E-Mapping performance on Western Australia’s Coolgardie Goldfield, 1894–98. Australasian Drama Studies (62). pp. 89-99.

Grehan, H.ORCID: 0000-0002-9257-5615 (2011) Are we so happy that we’ve lost all of the ‘tragic spectators’? Performance Paradigm: A Journal of Performance & Contemporary Culture (7).

Grehan, H.ORCID: 0000-0002-9257-5615 (2010) Aalst: Acts of evil, ambivalence and responsibility. Theatre Research International, 35 (1). pp. 4-16.

Grehan, H.ORCID: 0000-0002-9257-5615 (2010) Aboriginal performance: Politics, empathy and the question of reciprocity. Australasian Drama Studies (56). pp. 38-52.

Harvey, N., Grehan, H.ORCID: 0000-0002-9257-5615 and Tompkins, J. (2010) 'Be thou familiar, but by no means vulgar': Australian theatre blogging practice. Contemporary Theatre Review, 20 (1). pp. 109-119.

Grehan, H.ORCID: 0000-0002-9257-5615, Scheer, E. and Eckersall, P. (2007) Envisioning ethics anew: Rustom Bharucha talks with Performance Paradigm. Performance Paradigm: A Journal of Performance & Contemporary Culture (3).

Grehan, H.ORCID: 0000-0002-9257-5615, Scheer, E. and Eckersall, P. (2007) Pathologies of hope: Baz Kershaw talks with Performance Paradigm. Performance Paradigm: A Journal of Performance & Contemporary Culture (3).

Grehan, H.ORCID: 0000-0002-9257-5615 (2006) Testimony and ambivalence in Sandakan Threnody. Australasian Drama Studies (49). pp. 89-100.

Grehan, H.ORCID: 0000-0002-9257-5615 (2004) Questioning the relationship between consumption and exchange: TheatreWorks' Flying Circus Project, December 2000. Positions: East asia cultures critique, 12 (2). pp. 565-586.

Grehan, H.ORCID: 0000-0002-9257-5615 (2003) Black & Tran: A comedy that laughs in the face of racism? Australasian Drama Studies (42). pp. 112-122.

Grehan, H.ORCID: 0000-0002-9257-5615 (2003) Play review: Recovering histories of joy and sorrow in The Career Highlights of the MAMU. Studies in Western Australian History (23). pp. 220-221.

Grehan, H.ORCID: 0000-0002-9257-5615 (2003) Rakini Devi: Diasporic subject and agent provocateur. Theatre Research International, 28 (3). pp. 229-244.

Grehan, H.ORCID: 0000-0002-9257-5615 (2002) Stillness and intrigue in the north and sadness by William Yang. Journal of Australian Studies, 26 (73). pp. 151-159.

Grehan, H.ORCID: 0000-0002-9257-5615 (2001) Faction and fusion in The 7 stages of grieving. Theatre Research International, 26 (1). pp. 106-116.

Grehan, H.ORCID: 0000-0002-9257-5615 (2001) Theatre Works' Desdemona: Fusing technology and tradition. TDR: The Drama Review, 45 (3). pp. 113-125.

Grehan, H.ORCID: 0000-0002-9257-5615 (2000) Performed promiscuities: Interpreting interculturalism in the Japan Foundation Asia Centre's LEAR. Intersections: Gender and Sexuality in Asia and the Pacific (3).

Grehan, H.ORCID: 0000-0002-9257-5615 (1999) Negotiating discovery in The Geography of Haunted Places. Australasian Drama Studies (34). pp. 108-121.

Non-refereed Article

Grehan, H.ORCID: 0000-0002-9257-5615 and Eckersall, P. (2013) Review: Super Discount by Back to Back Theatre. The Conversation .

Conference Paper

Grehan, H.ORCID: 0000-0002-9257-5615 (2011) Back to Back Theatre's 'The Democratic set': Politics, representation and response. In: Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era Symposium, 26 - 28 September 2011, School of Culture and Communication English and Theatre Studies, University of Melbourne

Dunstone, B., Grehan, H.ORCID: 0000-0002-9257-5615, Bollen, J. and Fewster, J. (2011) Crossing frontiers: The interface between contemporary e-cartography and late space in late C19th live entertainment on the WA Goldfields. In: Museums Australia 2011 Conference, 14 - 18 November 2011, Perth, W.A

Grehan, H.ORCID: 0000-0002-9257-5615 (2010) Vulnerability, suffering and children: Seven Jewish children. In: 2010 Conference of the Australasian Association for Theatre, Drama and Performance Studies (ADSA): Stripping Bare!, 29 June - 2 July 2010, ANU Arts Centre, Australian National University

Harvey, N., Grehan, H.ORCID: 0000-0002-9257-5615 and Tompkins, J. (2008) AusStage: Building and sustaining links with other digital resources and repositories. In: Resourceful Reading: The New Empiricism, eResearch and Australian Literary Culture Sympsium, 4 - 5 December 2008, Wesley College, University of Sydney

Grehan, H.ORCID: 0000-0002-9257-5615 (2000) The Irish nomad as diasporic spectator. In: 11th Irish-Australian Conference, 25 - 30 April 2000, Murdoch University, Murdoch

Conference Item

Grehan, H.ORCID: 0000-0002-9257-5615, Eckersall, P., Gladwin, B. and Nash, A. (2012) Back to Back Theatre’s ‘Ganesh versus the Third Reich’: Politics, representation and response. In: PSi#18: Performance:Culture:History, 27 June - 1 July 2012, University of Leeds, Leeds, England.

Grehan, H.ORCID: 0000-0002-9257-5615 (2008) From bibliography to blogstage. In: AusStage Symposium, 25 September 2008, Flinders University, Adelaide.

Book Chapter

Grehan, H.ORCID: 0000-0002-9257-5615 (2013) 'The Democratic Set: 'A Cavalcade of portrait, soapbox and drama. In: Grehan, H. and Eckersall, P., (eds.) 'We're People Who Do Shows' Back to Back Theatre: Performance, Politics, Visibility. Performance Research Books, Aberystwyth, pp. 148-157.

Grehan, H.ORCID: 0000-0002-9257-5615 and Eckersall, P. (2013) The Existential Antagonists: Back to Back, dramaturgy and spectatorship. In: Grehan, H. and Eckersall, P., (eds.) 'We're People Who Do Shows' Back to Back Theatre: Performance, Politics, Visibility. Performance Research Books, Aberystwyth, pp. 15-20.

Grehan, H.ORCID: 0000-0002-9257-5615 (2013) Irony, parody and satire in Ganesh versus the Third Reich. In: Grehan, H. and Eckersall, P., (eds.) 'We're People Who Do Shows' Back to Back Theatre: Performance, Politics, Visibility. Performance Research Books, Aberystwyth, pp. 197-208.

Grehan, H.ORCID: 0000-0002-9257-5615 (2013) Responding to the 'unspoken' in Food Court. In: Grehan, H. and Eckersall, P., (eds.) 'We're People Who Do Shows' Back to Back Theatre: Performance, Politics, Visibility. Performance Research Books, Aberystwyth, pp. 105-118.

Grehan, H.ORCID: 0000-0002-9257-5615 (2013) Responsibility and the dangers of proximity: Responding to Caryl Churchill's seven Jewish children. In: Trezise, B. and Wake, C., (eds.) Visions and Revision: Performance, Memory, Trauma. Museum Tusculanum Press/University of Copenhagen, Copenhagen, pp. 97-114.

Harvey, N., Grehan, H.ORCID: 0000-0002-9257-5615 and Tompkins, J. (2009) AusStage: From database of performing arts to a performing database of the arts. In: Bode, K. and Dixon, R., (eds.) Resourceful reading: The new empiricism, eResearch and Australian literary culture. Sydney University Press, Sydney, Australia, pp. 325-333.

Grehan, H.ORCID: 0000-0002-9257-5615 (2009) The Western Australian Academy of Performing Arts. In: Gregory, J. and Gothard, J., (eds.) Historical Encyclopedia of Western Australian. UWA Press, Crawley, W.A, p. 906.

Grehan, H.ORCID: 0000-0002-9257-5615 (2007) Jack Davis. In: Cody, G.H. and Sprinchorn, E., (eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, U.S.A, pp. 331-332.

Grehan, H.ORCID: 0000-0002-9257-5615 (2007) Multicultural identities in drama. In: Cody, G. and Sprinchorn, E., (eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, U.S.A, pp. 80-81.

Grehan, H.ORCID: 0000-0002-9257-5615 (2001) "Implacement" and belonging: Dramatising white women's stories in Tiger Country. In: Maufort, M. and Bellarsi, F., (eds.) Siting the other: Re-visions of marginality in Australian and English-Canadian drama. Peter Lang Publishing, Brussels, Belgium, pp. 39-52.

Book

Eckersall, P., Grehan, H.ORCID: 0000-0002-9257-5615 and Scheer, E. (2017) New Media Dramaturgy: Performance, Media and New-Materialism. Palgrave Macmillan.

Grehan, H.ORCID: 0000-0002-9257-5615 and Eckersall, P. (2013) ‘We're people who do shows’: Back to Back Theatre - Performance Politics Visibility. PR Books, Wales.

Grehan, H.ORCID: 0000-0002-9257-5615 (2009) Performance, ethics and spectatorship in a global age. Palgrave Macmillan, Basingstoke, Hampshire.

Grehan, H.ORCID: 0000-0002-9257-5615 (2001) Mapping cultural identity in contemporary Australian performance. Peter Lang Publishing, Brussels, Belgium.

Thesis

Grehan, HelenaORCID: 0000-0002-9257-5615 (1998) Mapping, inscription and 'lines of flight' in contemporary Australian performance. PhD thesis, Murdoch University.