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Publications: Grehan, Helena
Journal Article
Grehan, H.ORCID: 0000-0002-9257-5615 and Eckersall, P.
(2019)
On Politics.
Performance Research, 24
(8).
pp. 1-3.
Grehan, H.ORCID: 0000-0002-9257-5615
(2019)
Slow Listening: The ethics and politics of paying attention, or shut up and listen.
Performance Research, 24
(8).
pp. 53-58.
Grehan, H.ORCID: 0000-0002-9257-5615
(2018)
First nations politics in a climate of refusal.
Performance Research, 23
(3).
pp. 7-12.
Grehan, H.ORCID: 0000-0002-9257-5615
(2018)
On Refuge.
Performance Research, 23
(4-5).
pp. 447-448.
Grehan, H.ORCID: 0000-0002-9257-5615
(2017)
Book review: Emma Cox. Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. London: Anthem Press, 2015. Pp. 194. $115.00 (Hb), $40.00 (Pb).
Modern Drama, 60
(3).
pp. 389-391.
Dunstone, B. and Grehan, H.ORCID: 0000-0002-9257-5615
(2017)
'Chaos' and 'Convergence' on the Western Australian goldfields: The politics of performance in the 1890s.
Australasian Drama Studies
(70).
pp. 35-56.
Scheer, E. and Grehan, H.ORCID: 0000-0002-9257-5615
(2017)
Recompositions: Images of Patrick White in William Yang's my generation.
Australasian Drama Studies, 71
.
pp. 157-177.
Grehan, H.ORCID: 0000-0002-9257-5615
(2016)
Love and information: Ethical spectatorship, freedom, and the limits of time.
Performance Paradigm, 12
.
pp. 70-81.
Grehan, H.ORCID: 0000-0002-9257-5615
(2015)
Actors, spectators, and "Vibrant" objects Kris Verdonck's ACTOR #1.
TDR: The Drama Review, 59
(3).
pp. 132-139.
Grehan, H.ORCID: 0000-0002-9257-5615
(2015)
Electronic Journals.
Contemporary Theatre Review, 25
(1).
pp. 130-133.
Grehan, H.ORCID: 0000-0002-9257-5615
(2014)
Book Review of: Theatre and performance in the Asia-Pacific: Regional modernities in the global era, by Denise Varney, Peter Eckersall, Chris Hudson and Barbara Hatley, (basingstoke: palgrave MacMillan, 2013).
Australasian Drama Studies
(64).
pp. 321-325.
Eckersall, P. and Grehan, H.ORCID: 0000-0002-9257-5615
(2014)
On Rapture.
Performance Research, 19
(6).
pp. 1-4.
Grehan, H.ORCID: 0000-0002-9257-5615
(2014)
Performance review: SUPER DISCOUNT. By Back to Back Theatre and David Woods. Directed by Bruce Gladwin. Malthouse Theatre, Melbourne. 16 November 2013.
Theatre Journal, 66
(3).
pp. 437-439.
Grehan, H.ORCID: 0000-0002-9257-5615
(2014)
An unresolvable dramaturgy.
Performance Research, 19
(6).
pp. 15-21.
Dunstone, B. and Grehan, H.ORCID: 0000-0002-9257-5615
(2013)
Making maps ‘Speak’: E-Mapping performance on Western Australia’s Coolgardie Goldfield, 1894–98.
Australasian Drama Studies
(62).
pp. 89-99.
Grehan, H.ORCID: 0000-0002-9257-5615
(2011)
Are we so happy that we’ve lost all of the ‘tragic spectators’?
Performance Paradigm: A Journal of Performance & Contemporary Culture
(7).
Grehan, H.ORCID: 0000-0002-9257-5615
(2010)
Aalst: Acts of evil, ambivalence and responsibility.
Theatre Research International, 35
(1).
pp. 4-16.
Grehan, H.ORCID: 0000-0002-9257-5615
(2010)
Aboriginal performance: Politics, empathy and the question of reciprocity.
Australasian Drama Studies
(56).
pp. 38-52.
Harvey, N., Grehan, H.ORCID: 0000-0002-9257-5615 and Tompkins, J.
(2010)
'Be thou familiar, but by no means vulgar': Australian theatre blogging practice.
Contemporary Theatre Review, 20
(1).
pp. 109-119.
Grehan, H.ORCID: 0000-0002-9257-5615, Scheer, E. and Eckersall, P.
(2007)
Envisioning ethics anew: Rustom Bharucha talks with Performance Paradigm.
Performance Paradigm: A Journal of Performance & Contemporary Culture
(3).
Grehan, H.ORCID: 0000-0002-9257-5615, Scheer, E. and Eckersall, P.
(2007)
Pathologies of hope: Baz Kershaw talks with Performance Paradigm.
Performance Paradigm: A Journal of Performance & Contemporary Culture
(3).
Grehan, H.ORCID: 0000-0002-9257-5615
(2006)
Testimony and ambivalence in Sandakan Threnody.
Australasian Drama Studies
(49).
pp. 89-100.
Grehan, H.ORCID: 0000-0002-9257-5615
(2004)
Questioning the relationship between consumption and exchange: TheatreWorks' Flying Circus Project, December 2000.
Positions: East asia cultures critique, 12
(2).
pp. 565-586.
Grehan, H.ORCID: 0000-0002-9257-5615
(2003)
Black & Tran: A comedy that laughs in the face of racism?
Australasian Drama Studies
(42).
pp. 112-122.
Grehan, H.ORCID: 0000-0002-9257-5615
(2003)
Play review: Recovering histories of joy and sorrow in The Career Highlights of the MAMU.
Studies in Western Australian History
(23).
pp. 220-221.
Grehan, H.ORCID: 0000-0002-9257-5615
(2003)
Rakini Devi: Diasporic subject and agent provocateur.
Theatre Research International, 28
(3).
pp. 229-244.
Grehan, H.ORCID: 0000-0002-9257-5615
(2002)
Stillness and intrigue in the north and sadness by William Yang.
Journal of Australian Studies, 26
(73).
pp. 151-159.
Grehan, H.ORCID: 0000-0002-9257-5615
(2001)
Faction and fusion in The 7 stages of grieving.
Theatre Research International, 26
(1).
pp. 106-116.
Grehan, H.ORCID: 0000-0002-9257-5615
(2001)
Theatre Works' Desdemona: Fusing technology and tradition.
TDR: The Drama Review, 45
(3).
pp. 113-125.
Grehan, H.ORCID: 0000-0002-9257-5615
(2000)
Performed promiscuities: Interpreting interculturalism in the Japan Foundation Asia Centre's LEAR.
Intersections: Gender and Sexuality in Asia and the Pacific
(3).
Grehan, H.ORCID: 0000-0002-9257-5615
(1999)
Negotiating discovery in The Geography of Haunted Places.
Australasian Drama Studies
(34).
pp. 108-121.
Non-refereed Article
Grehan, H.ORCID: 0000-0002-9257-5615 and Eckersall, P.
(2013)
Review: Super Discount by Back to Back Theatre.
The Conversation
.
Conference Paper
Grehan, H.ORCID: 0000-0002-9257-5615
(2011)
Back to Back Theatre's 'The Democratic set': Politics, representation and response.
In: Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era Symposium, 26 - 28 September 2011, School of Culture and Communication English and Theatre Studies, University of Melbourne
Dunstone, B., Grehan, H.ORCID: 0000-0002-9257-5615, Bollen, J. and Fewster, J.
(2011)
Crossing frontiers: The interface between contemporary
e-cartography and late space in late C19th live entertainment on the WA Goldfields.
In: Museums Australia 2011 Conference, 14 - 18 November 2011, Perth, W.A
Grehan, H.ORCID: 0000-0002-9257-5615
(2010)
Vulnerability, suffering and children: Seven Jewish children.
In: 2010 Conference of the Australasian Association for Theatre, Drama and Performance Studies (ADSA): Stripping Bare!, 29 June - 2 July 2010, ANU Arts Centre, Australian National University
Harvey, N., Grehan, H.ORCID: 0000-0002-9257-5615 and Tompkins, J.
(2008)
AusStage: Building and sustaining links with other digital resources and repositories.
In: Resourceful Reading: The New Empiricism, eResearch and Australian Literary Culture Sympsium, 4 - 5 December 2008, Wesley College, University of Sydney
Grehan, H.ORCID: 0000-0002-9257-5615
(2000)
The Irish nomad as diasporic spectator.
In: 11th Irish-Australian Conference, 25 - 30 April 2000, Murdoch University, Murdoch
Conference Item
Grehan, H.ORCID: 0000-0002-9257-5615, Wake, C., Wilson, J. and Little, R.
(2017)
Between the epic and the everyday’ Back to Back Theatre’s Lady Eat’s Apple, with Back to Back Ensemble.
In: Perth International Arts Festival 2017, 4 March 2017, Heath Ledger Theatre, WA.
Grehan, H.ORCID: 0000-0002-9257-5615 and Scheer, E.
(2017)
The Self Behind the Selfie: A Roundtable with William Yang and Annette Shun Wah.
In: Adelaide Festival, 11 March 2017, Space Theatre, Adelaide Festival Centre.
Grehan, H.ORCID: 0000-0002-9257-5615, Chinna, S. and Sigley, G.
(2016)
‘Reading and Interpreting Brecht’ – Q&A with Director Dr Wang Xiaoying.
In: Symposium. UWA Institute of Advanced Studies and Black Swan State Theatre Company, 2 August 2016, State Theatre Centre of WA.
Grehan, H.ORCID: 0000-0002-9257-5615, Eckersall, P., Gladwin, B. and Nash, A.
(2012)
Back to Back Theatre’s ‘Ganesh versus the Third Reich’: Politics, representation and response.
In: PSi#18: Performance:Culture:History, 27 June - 1 July 2012, University of Leeds, Leeds, England.
Grehan, H.ORCID: 0000-0002-9257-5615
(2008)
From bibliography to blogstage.
In: AusStage Symposium, 25 September 2008, Flinders University, Adelaide.
Book Chapter
Grehan, H.ORCID: 0000-0002-9257-5615
(2019)
Art, politics, and the promise of rupture.
In: Eckersall, P. and Grehan, H., (eds.)
The Routledge Companion to Theatre and Politics.
Routledge, Abingdon, Oxon ; New York, NY, pp. 423-431.
Grehan, H.ORCID: 0000-0002-9257-5615 and Eckersall, P.
(2019)
A dramaturgy of cultural activism.
In: Eckersall, P. and Grehan, H., (eds.)
The Routledge Companion to Theatre and Politics.
Routledge, Abingdon, Oxon ; New York, NY, pp. 15-26.
Grehan, H.ORCID: 0000-0002-9257-5615
(2013)
'The Democratic Set: 'A Cavalcade of portrait, soapbox and drama.
In: Grehan, H. and Eckersall, P., (eds.)
'We're People Who Do Shows' Back to Back Theatre: Performance, Politics, Visibility.
Performance Research Books, Aberystwyth, pp. 148-157.
Grehan, H.ORCID: 0000-0002-9257-5615 and Eckersall, P.
(2013)
The Existential Antagonists: Back to Back, dramaturgy and spectatorship.
In: Grehan, H. and Eckersall, P., (eds.)
'We're People Who Do Shows' Back to Back Theatre: Performance, Politics, Visibility.
Performance Research Books, Aberystwyth, pp. 15-20.
Grehan, H.ORCID: 0000-0002-9257-5615
(2013)
Irony, parody and satire in Ganesh versus the Third Reich.
In: Grehan, H. and Eckersall, P., (eds.)
'We're People Who Do Shows' Back to Back Theatre: Performance, Politics, Visibility.
Performance Research Books, Aberystwyth, pp. 197-208.
Grehan, H.ORCID: 0000-0002-9257-5615
(2013)
Responding to the 'unspoken' in Food Court.
In: Grehan, H. and Eckersall, P., (eds.)
'We're People Who Do Shows' Back to Back Theatre: Performance, Politics, Visibility.
Performance Research Books, Aberystwyth, pp. 105-118.
Grehan, H.ORCID: 0000-0002-9257-5615
(2013)
Responsibility and the dangers of proximity: Responding to Caryl Churchill's seven Jewish children.
In: Trezise, B. and Wake, C., (eds.)
Visions and Revision: Performance, Memory, Trauma.
Museum Tusculanum Press/University of Copenhagen, Copenhagen, pp. 97-114.
Harvey, N., Grehan, H.ORCID: 0000-0002-9257-5615 and Tompkins, J.
(2009)
AusStage: From database of performing arts to a performing database of the arts.
In: Bode, K. and Dixon, R., (eds.)
Resourceful reading: The new empiricism, eResearch and Australian literary culture.
Sydney University Press, Sydney, Australia, pp. 325-333.
Grehan, H.ORCID: 0000-0002-9257-5615
(2009)
The Western Australian Academy of Performing Arts.
In: Gregory, J. and Gothard, J., (eds.)
Historical Encyclopedia of Western Australian.
UWA Press, Crawley, W.A, p. 906.
Grehan, H.ORCID: 0000-0002-9257-5615
(2007)
Jack Davis.
In: Cody, G.H. and Sprinchorn, E., (eds.)
The Columbia Encyclopedia of Modern Drama.
Columbia University Press, New York, U.S.A, pp. 331-332.
Grehan, H.ORCID: 0000-0002-9257-5615
(2007)
Multicultural identities in drama.
In: Cody, G. and Sprinchorn, E., (eds.)
The Columbia Encyclopedia of Modern Drama.
Columbia University Press, New York, U.S.A, pp. 80-81.
Grehan, H.ORCID: 0000-0002-9257-5615
(2001)
"Implacement" and belonging: Dramatising white women's stories in Tiger Country.
In: Maufort, M. and Bellarsi, F., (eds.)
Siting the other: Re-visions of marginality in Australian and English-Canadian drama.
Peter Lang Publishing, Brussels, Belgium, pp. 39-52.
Book
Eckersall, P. and Grehan, H.ORCID: 0000-0002-9257-5615
(2019)
The Routledge Companion to Theatre and Politics.
Routledge, Abingdon, Oxon ; New York, NY.
Eckersall, P., Grehan, H.ORCID: 0000-0002-9257-5615 and Scheer, E.
(2017)
New Media Dramaturgy: Performance, Media and New-Materialism.
Palgrave Macmillan.
Grehan, H.ORCID: 0000-0002-9257-5615 and Scheer, E.
(2016)
William Yang: Stories of love and death.
NewSouth Publishing, Coogee, N.S.W..
Grehan, H.ORCID: 0000-0002-9257-5615 and Eckersall, P.
(2013)
‘We're people who do shows’: Back to Back Theatre - Performance Politics Visibility.
PR Books, Wales.
Grehan, H.ORCID: 0000-0002-9257-5615
(2009)
Performance, ethics and spectatorship in a global age.
Palgrave Macmillan, Basingstoke, Hampshire.
Grehan, H.ORCID: 0000-0002-9257-5615
(2001)
Mapping cultural identity in contemporary Australian performance.
Peter Lang Publishing, Brussels, Belgium.
Thesis
Grehan, HelenaORCID: 0000-0002-9257-5615
(1998)
Mapping, inscription and 'lines of flight' in contemporary Australian performance.
PhD thesis, Murdoch University.