Publications: Chu, Yingchi

Journal Article

Chu, Y. (2021) Politics of visual discourse in China: the corruption cartoon. Visual Communication .

Chu, Y. (2020) On the hypoiconic structure of cartoons. Social Semiotics . pp. 1-17.

Chu, Y. (2019) Media transparency in China: Rethinking rhetoric and reality, by Baohui Xie. Asian Studies Review, 43 (1). pp. 178-179.

Chu, Y. (2018) Hypoiconicity in the architecture of Suzhou: authentic resemblance, diagrammatic reduction, and metaphoric displacement. Social Semiotics, 30 (1). pp. 114-132.

Chu, Y. (2017) The internet and new social formation in China: Fandom publics in the making. Asian Studies Review, 41 (3). pp. 496-498.

Chu, Y. and Ruthrof, H. (2016) The social semiotic of homophone phrase substitution in Chinese netizen discourse. Social Semiotics, 27 (5). pp. 640-655.

Chu, Y. (2015) Book Review: Documentary, world history, and national power in the PRC: Global rise in chinese eyes. Asian Studies Review, 39 (4). pp. 689-690.

Chu, Y. (2015) Book Review: Popular media, social emotion and public discourse in contemporary China. Asian Studies Review, 39 (4). pp. 690-692.

Chu, Y. (2015) The dogmatic documentary: The missing mode. New Review of Film and Television Studies, 13 (4). pp. 403-421.

Chu, Y. (2014) Political cartoons in contemporary China. International Journal of Interdisciplinary Cultural Studies, 1 (1). pp. 1-9.

Chu, Y. (2014) The politics of reception: 'Made in China' and Western critique. International Journal of Cultural Studies, 17 (2). pp. 159-173.

Chu, Y. and Ruthrof, H. (2012) Cultural obstacles to political dialogue in China. Culture and Dialogue, 2 (2).

Chu, Y. (2007) The new Chinese citizen and CETV. Critical Asian Studies, 39 (2). pp. 259-272.

Non-refereed Article

Chu, Y. (2014) Book review: Independent Chinese Documentary: From the Studio to the Street by Luke Robinson. The China Journal, 72 . pp. 219-221.

Book Chapter

Chu, Y. (2012) Why does China fear critical discourse? In: Kalaga, Wojciech and Klis, Agnieszka, (eds.) Civilisation and fear: Anxiety and the writing of the subject. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 47-61.

Chu, Y. (2008) The emergence of polyphony in Chinese television documentaries. In: Sen, K. and Lee, T., (eds.) Political regimes and the media in Asia. Routledge, London, pp. 49-69.

Chu, Y. (2006) The legal report: Citizenship education in TV documentaries. In: Fong, Vanessa and Murphy, Rachel, (eds.) Chinese citizenship: Views from the margins. Routledge, London, pp. 68-95.

Chu, Y., Donald, S.H. and Witcomb, A. (2003) Children, media and the public sphere in Chinese Australia. In: Rawnsley, G.D. and Rawnsley, M.T., (eds.) Political communications in greater China: The construction and reflection of identity. Routledge, London, pp. 261-274.

Chu, Y. (2002) The consumption of cinema in contemporary China. In: Donald, S.H., Hong, Y. and Keane, M., (eds.) Media in China: Consumption, content and crisis. RoutledgeCUrzon, London, pp. 43-54.

Book

Chu, Y. (2007) Chinese documentaries: From dogma to polyphony. Routledge as part of the Taylor and Francis Group, New York.

Chu, Y. (2003) Hong Kong Cinema: Coloniser, Motherland and Self. RoutledgeCurzon, London.

Chu, Y. (2003) Hong Kong Cinema: Coloniser, Motherland and Self. Routledge as part of Taylor & Francis.

Thesis

Chu, Yingchi (2000) Hong Kong cinema and national cinema: Coloniser, motherland and self. PhD thesis, Murdoch University.