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Publications: Broderick, Mick

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Number of items: 18.

Journal Article

Traverso, A. and Broderick, M. (2020) ‘Forgiveness is something that can be seen from behind’. Visualizing a conversation with a perpetrator and a survivor of the 1994 Rwandan genocide in a reconciliation village. Continuum: The Australian Journal of Media and Culture . pp. 1-12.

Broderick, M. and Bender, S.M. (2018) Virtual Trauma: Prospects for Automediality. M/C Journal: A Journal of Media and Culture, 21 (2).

Traverso, A., Broderick, M., Collins, F. and Radstone, S. (2017) Dossier: screen genres of reconciliation in Australia, Chile, Rwanda, and New Zealand. Critical Arts: South-North Cultural and Media Studies, 31 (5). p. 77.

Broderick, M. (2017) Not Reconciled: Grey Matter (Ruhorahoza 2011) and the Lacunae of Post-genocide Rwandan Cinema. Critical Arts: South-North Cultural and Media Studies, 31 (5). pp. 78-86.

Broderick, M. (2016) ‘There is Still Time … Brother’ antipodean cinema and nuclearism in the mid-to-late Cold war. Historical Journal of Film, Radio and Television, 36 (1). pp. 53-67.

Broderick, M. (2015) Apocalypse Australis: Eschatology on southern screens. Critical Arts: South-North Cultural and Media Studies, 29 (5). pp. 608-620.

Lala, G., McGarty, C., Thomas, E.F., Ebert, A., Broderick, M., Mhando, M. and Kamuronsi, Y. (2014) Messages of hope: Using positive stories of survival to assist recovery in Rwanda. Journal of Social and Political Psychology, 2 (1). pp. 451-468.

Traverso, A. and Broderick, M. (2010) Interrogating trauma: Towards a critical trauma studies. Continuum, 24 (1). pp. 3-15.

Broderick, M., Cypher, M.ORCID: 0000-0002-0193-7925 and Macbeth, J. (2009) Critical masses: Augmented virtual experiences and the xenoplastic at Australia's cold war and nuclear heritage sites. Archaeologies, 5 (2). pp. 323-343.

Broderick, M., De Reuck, J. and Petkovic, J. (2008) Scoping trauma. IM: Interactive Media (4).

Petkovic, J., De Reuck, J. and Broderick, M. (2005) From the Editors. IM: Interactive Media (1).

Conference Paper

Broderick, M., Gibson, M. and Varan, D. (2001) A call for a cultural inquiry. In: Communications Research Forum 2001, 26 - 27 September 2001, Canberra, A.C.T

Conference Item

Broderick, M., Cypher, M.ORCID: 0000-0002-0193-7925 and Macbeth, J. (2007) CRITICAL MASSES: Augmented virtual experiences and the xenoplastic at Australia's Cold War and nuclear heritage sites. In: DIMEA07 Second International Conference on Digital Interactive Media in Entertainment and Arts, September 19 - 21 2007, Perth, Australia.

Book Chapter

Broderick, M. (2018) Fading Lights: Digital Visualization and the Legacy of Hiroshima and Nagasaki. In: Lowe, D., Atherton, C. and Miller, A., (eds.) The Unfinished Atomic Bomb: Shadows and Reflections. Lexington Books.

Bender, S. and Broderick, M. (2017) Australian POW and occupation force experiences in Hiroshima and Nagasaki: A digital hyper-visualisation. In: Taylor, N.A.J. and Jacobs, R., (eds.) Reimagining Hiroshima and Nagasaki. Routledge as part of Taylor and Francis, pp. 108-122.

Broderick, M. (2012) “Justice through Strength and Courage”: Captain Midnight and the Military-Industrial complex. In: Miller, C.J. and Van Riper, A.B., (eds.) 1950s "Rocketman" TV Series and Their Fans. Palgrave Macmillan US, pp. 193-211.

Broderick, M. (2010) Mediating genocide: Producing digital survivor testimony in Rwanda. In: Bhaskar, S. and Walker, J., (eds.) Documentary Testimonies: Global Archives of Suffering. Routledge as part of the Taylor and Francis Group, Abingdon, Oxon, pp. 215-244.

Broderick, M. (2009) Making things new: Regeneration and transcendence in anime. In: Walliss, J. and Newport, K.G.C., (eds.) The End All Around Us: Apocalyptic Texts and Popular Culture. Acumen Publishing, pp. 120-147.

This list was generated on Tue Oct 20 03:57:04 2020 UTC.