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Afterdeath and the Bollywood Gothic Noir

Mishra, V.ORCID: 0000-0002-0193-9736 (2017) Afterdeath and the Bollywood Gothic Noir. In: Davison, C.M., (ed.) The Gothic and Death. Manchester University Press, Manchester, pp. 174-188.

Link to Published Version: https://doi.org/10.7228/manchester/9781784992699.0...
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Abstract

This chapter maps the received tradition of the Gothic on to the Bollywood Gothic noir. The tradition, it is argued, as it comes to India, is mediated by both the literary Gothic and the pervasive power of the Hollywood film and Gothic noirs. The form that the Bollywood Gothic noir takes is a function of a compromise as the received Western literary and filmic Gothic is deployed to articulate a specifically Hindu narrative of reincarnation. Whereas the idea of an afterdeath in the Western Gothic carried as its basic affect the concept of the uncanny and was alarmingly anti-redemptive, reincarnation narrative postulated that the uncanny was a pre-given capable of recall. However, the presence of the filmic and the literary Gothic as part of a world-literary system now disturbs the seamless and affirmative narrative of Hindu reincarnation by introducing the darker side of karmic retribution.

Item Type: Book Chapter
Murdoch Affiliation: School of Arts
Publisher: Manchester University Press
Copyright: ©2017
Notes: Part of The International Gothic series
URI: http://researchrepository.murdoch.edu.au/id/eprint/42423
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