A systemic-functional semiotics of art
O'Toole, M. (1990) A systemic-functional semiotics of art. Semiotica, 82 (3/4). pp. 185-209.
Abstract
The visual arts should be a natural field for the application of semiotic models of analysis; and yet most discourse — whether published, pedagogical or popular — about art is still stuck in the well-worn grooves of art history, philosophical aesthetics, or attribution and market values. Attempts over the last ten years to invoke semiotics have mainly been confined to applying a raw Saussurean analysis — questionable even for verbal discourse — to visual texts, exploring the ramifications of Peirce's distinction between index, icon, and symbol in visual terms, or arguing about the nature of representation itself. The result has been a lot of theorizing, partial analysis, and a daunting density of new jargon.
Item Type: | Journal Article |
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Murdoch Affiliation: | School of Media, Communication and Culture |
Publisher: | Walter de Gruyter |
Copyright: | © Walter de Gruyter |
URI: | http://researchrepository.murdoch.edu.au/id/eprint/13243 |
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